第二十届悉尼双年展：“未来已然在此——却非均匀分佈”
第二十屆悉尼雙年展受到作家William Gibson之文字的啓發，將本次展覽起名爲“未來已然在此——卻非均勻分佈”。 >> 更多
SEARCH AGAIN
| CATEGORY | ||
| 日期 | ||
| 从: | ||
| 至: | ||
| 日期格式: 1/30/2012 | ||
| 关键字 | ||
| >> Search | ||
“徐震：永恒Vs. 进化论”展评
海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多
展示与讲述: 曹雨的性别化象征
曹雨的作品极简、观念，且蓄意挑衅，这是她对材料的物性进行考量之后的发挥，从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质，包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多
柳溪 Paradox
(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多
(English) Simon Mordant
Contemporary Collector, Modern Philanthropist
(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
2020希克奖：乌里•希克、香港M+美术馆馆长华安雅、获奖者杨嘉辉访谈
(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多
高伟刚,「Michael Joo」
Aftermath 余波
迈克尔·朱
(English) SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> 更多
4²+1 开幕
ART LABOR
ART LABOR非常荣幸呈现五位艺术家联展，以丰富、充满活力的细节探索内在情感和外部环境 >> 更多
