randian | 燃点

安全口畫廊呈獻與香港三位新晉藝術家首次合作群展《The Imaginary Order》。參展藝術家包括鄭婷婷，陸浩明以及葉建邦。 >> 更多

始于2002年的巴塞尔艺术展迈阿密海滩展会，就展出的作品质量及其表现来看，都是迄今为止北美最大最好的艺博会。 >> 更多

(English) Under challenging circumstances, the Moscow Biennale of Contemporary Art opts for a radical format and changes its structure: the Biennale will be condensed into ten days. Artistic, discursive and reflective moments will shape the space. >> 更多

(English) Ah Basel, here we are again, like Swann returning to Odette. Each year the Bratwurst are more expensive than the year before but they come so snuggly packed in a Swissly folded napkin. You can't say no.
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(English) Space Cottonseed is proud to present Writing an Image, a group exhibition of five artists, Farid Stevy Asta, Wisnu Auri, Indra Dodi, Youn Seuk Oh and Seungho Yoo, who have been practicing art in relation to text and writing... >> 更多

「激进」一直为现当代艺术中最为引人注目的部分。于当代艺术语境中，「激进」处于什么位置？我们又是否需要「激进」？除此之外，艺术品除了它的商业价值外还可有何地位？展览于艺术家的意义又如何？ >> 更多

Robin Rhode creates wall-based illusions which blur drawing, performance, and photography. With hastily drawn forms serving as props for postures captured stop-motion-style, Rhode has hit upon a narrative technique that is inspired not just by guerilla graffiti performances, but flip-books, magic tricks, and—it turns out—a particular teenage experience. >> 更多

张天军的作品没有对任何一幅特定的古代名作进行指涉，因为他所侧重的似乎并非图像本身的内涵，而是画面结构的多意性空间关系。画面上的色彩也并非图底关系的参与者，却更像是观者与画意之间的斡旋者...... >> 更多

“青春之泉”是艺术家张天军一直延续的一个展览主题，是对其一贯创作的综述或延伸。 >> 更多

乐曼慕品隆重呈献Robin Rhode香港首个展览《曾经存在》（having been there）。本展览延续了艺术家一直以来对错综复杂的社会及政治议题之关注，同时透过其独一无二的笔触与姿态，探索他对永恒及短暂这两个两极观念的看法。 >> 更多