randian | 燃点

著名德國藝術家Willi Siber (生於1949年)將攜全新主題的作品再度在港展出。本次個展中，由傳統木制物件到特殊的混合材料，乃至塗上汽車光油的鋼制塑，均充份體現藝術家Willi所說，「作品處於變幻狀態之中」。 >> 更多

艺术+上海画廊很荣幸邀请到艺术家叶红杏举行个展“天堂之城”，本次展览将集中展示她在拼贴艺术方面的创作。 >> 更多

Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。 >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多

(English) Galerie Nagel Draxler was founded by Christian Nagel in Cologne in 1990 and operates in Cologne, Berlin and Munich. We are proud to be a gallery that has a history, a present and a future. >> 更多

(English) Esther Schipper is pleased to announce Ku Lak, Matti Braun’s sixth solo exhibition with the gallery. The exhibition will include 16 works from a new series of silk paintings and approximately 25 new glass works, the latter presented on three circular plinths designed by the artist. >> 更多

(English) Thomas Rehbein Gallery was founded in 1995. The artistic program encompasses a range of contemporary positions of narrative and conceptual art. Ever since its beginning, the gallery has concentrated on substantial contemporary art. >> 更多

(English) 对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> 更多

(English) (Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> 更多