randian | 燃点

(English) in abstraction, I find that people try to explain what you cannot explain. Come on, it’s only a painting, you know! >> 更多

(English) Raimund Girke’s medium was white: as erasure, as layer, as edge, as foreground, background, gesture, fog, lens and matter...whiteness is not simply a counterpoint of contrast and scale, but the elemental background...
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对不起，此内容只适用于English。 >> 更多

“艺术家”是无可替代又一无所用的。这篇对于瑞安·甘德的介绍文字也同样是无用的。甚至不知道应该从何谈起。
 
 
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(English) Two recent Berlin shows provide competing though equally compelling responses to the production line of abstraction currently dominant, or at least voluble, in New York. >> 更多

(English) We begin at the Courts of Justice, which were built on the hill overlooking The Marolles district to intimidate the poor who lived there. Now there is a lift to take you straight down, or up, depending on your inclination. >> 更多

作为上世纪80年代出现在中国当代艺术界的重要艺术家之一，黄永砅是“厦门达达”群体中最突出的一位成员。他们倡导并实践了一种荒诞而颠覆性的反制度主义。艺术史学者、批评家以及罗马MAXXI博物馆的艺术总监侯瀚如与墨虎恺一起谈论了黄永砅近期作品的概览展“蛇杖(Bâton Serpent)”，这也是艺术家在意大利所举行的第一次大型展览...... >> 更多

(English) Abstraction is becoming the Western equivalent of the most masturbatory Literati work. Whether we call it “Zombie Formalism” (Walter Robinson) or “MFA-clever“ (Jerry Saltz), we end up bending for beige. >> 更多

(English) Leading Australian conceptual artist Scott Redford muses on the place of Anselm Reyle in current postmodern discourse. Reyle, born 1970, retired this year despite being one of the most prominent German artists. >> 更多

(English) That is still what I believe. You make something and hopefully it is strong enough to survive this society at large, as it is today. >> 更多