randian | 燃点

以城市的视角来解析当代超现实主义：“魔幻城市”集中展出了现如今亚洲最具有代表性城市的生动图景，希望能借此机会为两位来自不同背景通过不同媒介但对当代超现实主义的认知有相似实践经历的艺术家们提供一个对话交流的契机。 >> 更多

(English) Browsing through the exhibition “A Journal of the Plague Year. Fear, Ghosts, Rebels. SARS, Leslie and the Hong Kong Story” provides a deja vu of flipping through somebody’s diary - where narratives are punctuated by remnants of past events including cinema tickets and candy wrappers. >> 更多

大陆和香港不是同一个故事，但在这个历史时刻，两者关联在了一起。 >> 更多

在今年的展览中，中低品质的艺术作品相比去年有了明显提升（更好的画廊，更少的媚俗作品），而展出作品总体来说风格保守——创新之作较为罕见。去年的实验性中国作品在今年展览中数量大大减少，而今年增加了不少的装饰性抽象作品...... >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

艺术家郑波“一枝黄花”拉开上海纽约大学当代艺术中心首展序幕 >> 更多

(English) It questions that self-adjusting process of fitting oneself into environments in order to survive, be at one. It goes a step further, however, and proposes: with the frequency of these constant shifts, are they indeed ephemeral in nature, or rather the foundations of a permanent future? >> 更多

陶溪川艺术与科技实验室项目启幕仪式暨国际论坛于2019年4月25日至26日在中国江西省景德镇陶溪川陶瓷文化创意产业园举行。 >> 更多

偏锋新艺术空间将荣幸地推出德国当代艺术家弗兰兹·艾稞曼在中国大陆的首次个展。 >> 更多