(English) PANDAMONIUM, the title of this exhibition, suggests two conflicting ideas: the soft, cuddly, diplomatic, almost clichéd, image of the Panda, one of the great symbols of China to the outside world, and the wild, fertile, noisy disorder of Pandemonium, the place of all demons in Milton’s ‘Paradise Lost’. >> 更多
(English) To coincide with Ai Weiwei’s exhibition, “Evidence”, opening at Berlin’s Martin Gropius Bau on April 2nd, PANDAMONIUM dedicates our next Micro-Exhibition to this renowned bad boy of contemporary art. >> 更多
(English) A 4-Month Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> 更多
(English) Browsing through the exhibition “A Journal of the Plague Year. Fear, Ghosts, Rebels. SARS, Leslie and the Hong Kong Story” provides a deja vu of flipping through somebody’s diary - where narratives are punctuated by remnants of past events including cinema tickets and candy wrappers. >> 更多