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访谈, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
访谈, 2020.06.03 Wednesday, 文 /

香港城市大学“创意媒体学院”现已接受2020硕士申请

香港城市大学“创意媒体学院”现已接受2020硕士申请 >> 更多
访谈, 2020.05.28 Thursday, 文 /

2020希克奖:乌里•希克、香港M+美术馆馆长华安雅、获奖者杨嘉辉访谈

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多
访谈, 2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
访谈, 2020.03.16 Monday, 文 /

(English) Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多
访谈, 2020.03.07 Saturday, 文 /

(English) Phantoms and Aliens
The Invisible Other (Chapter 3)

(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> 更多
访谈, 2020.02.24 Monday, 文 /

佛系青年:冷漠与共

我们很难体会到“佛系青年”的力量指向哪里,如果非要指出一个去向的话,只要存在被现实压抑的个体以及无所适从的表达,这种弱抵抗的方式就会再次出现。 >> 更多
访谈, 2019.12.19 Thursday, 文 /

(English) Matti Braun
Ku Lak
Esther Schipper, Berlin

(English) Esther Schipper is pleased to announce Ku Lak, Matti Braun’s sixth solo exhibition with the gallery. The exhibition will include 16 works from a new series of silk paintings and approximately 25 new glass works, the latter presented on three circular plinths designed by the artist. >> 更多
访谈, 2019.12.18 Wednesday, 文 /

Zelin Seah 太空太滿

(English) Richard Koh Fine Art (RKFA-KL) is pleased to announce Malaysian artist Zelin Seah’s (b.1980) solo exhibition in Malaysia. Too Much, Too Empty >> 更多
访谈, 2019.12.04 Wednesday, 文 /

驻地研究招募 | 一路向南×越南 2019-2020

广东时代美术馆荣幸地宣布 “一路向南”驻地研究将与位于越南胡志明市的The Factory当代艺术中心进行交换,现公开招募一位中国艺术家前往The Factory当代艺术中心进行驻地研究。与此同时,时代美术馆也将邀请一位越南艺术家来访广州进行一个月的驻地。交换结束后,两位艺术家需各自提交一份详细的创作计划以回应广州及胡志明市这两个选定的地理坐标及其跨本土的地缘政治共鸣,时代美术馆将选择其中一个优胜方案并提供5万元(人民币或等值外币)的委任创作基金。 >> 更多

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