randian | 燃点

Galerie Urs Meile Beijing is pleased to announce Absent & Superfluous, a solo exhibition featuring Beijing-based artist Hu Qingyan (*1982) most recent works. >> Read more

XC. HuA Beijing is pleased to invite you to the opening of Olga Georgieva's exhibition in Beijing, the 13. October at 4 PM. >> Read more

We are very pleased to present the second solo exhibition of works by New York-based artist Keltie Ferris (b.1977) at the gallery. >> Read more

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, >> Read more

Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more

Richard Koh Projects (RK Projects) is pleased to announce After Hem Vejakorn, >> Read more

In celebration of its fifth anniversary, for summer 2018 OCAT Xi’an orchestrated a special focus on “Xi’an”, its art, culture, and geography present and past, through a large-scale, expanded presentation of the Xi’an Showcase project. >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

I was keen to head straight to Jordan Wolfson's chained Pinocchio with luminous eyes gazing back in a projected fantasy of defiance and psychopathy. >> Read more

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more