randian | 燃点

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more

[22 September, 2016] Nanjing, China: Nanjing International Art Festival (NJIAF), >> Read more

Art Basel’s Conversations and Salon program returns to Hong Kong with a wide range of panels featuring prominent figures within the international art world, from leading artists, gallerists and collectors >> Read more

Para Site, Hong Kong's leading contemporary artcentre and one of the oldest and most active independent art institutions in Asia, todayannounced that it is holding its annual auction on October 27, 2015. >> Read more

ASIANOW is an exceptional fair that allows its audience to freshly reconsider contemporary Asian art. >> Read more

The second edition of the Award returns with a focus on Greater China but also encompassing exciting artists from Southeast Asia... >> Read more

Tehching Hsieh is a seminal figure in the history of performance art. Only in recent years has Hsieh been recognized for his commitment as an artistic figure, conducting himself through a series of performances which serve as profound and decisive investigations into human diligence and experience... >> Read more

Largest Para Site Auction Benefit to date: 88 Works of Art to be Auctioned. Para Site to feature local, international artists and preview of North Point location >> Read more

In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more

While the minimum and average quality of art displayed was noticeably higher than last year (better galleries, minimal kitsch) the art displayed was generally conservative—innovation was seldom seen... >> Read more