黄小鹏讣告 (1960–2020)
「如果說精神是一種力量，那麼這種力量來自純粹。」這是小鵬留給我們每一個人的遺產。
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本文正在翻译之中，敬请期待……
本文正在翻译之中，敬请期待……
维尔纳·巴特纳与坏画的诞生
维尔纳·巴特纳（Werner Büttner）一直是80年代德国最成功的艺术家团体之一的思想领头羊。在德国经济奇迹末期及美苏冷战期即将到来之际，他与马丁·基彭博格（Martin Kippenberger）和阿尔伯特·奥伦（Albert Oehlen）一起在战后震撼了德国的自满情绪（和同谋心）。
“权利：就是写________”：
亦步亦趋中的民之书法
我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。
访谈
(English) Ashley Bickerton
Seascapes At The End Of History
Seascapes At The End Of History
(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language.
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艺术家档案
(English) Võ An Khánh – When Documentary Photographs Are No Longer Mementos
(English) Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient.
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艺术市场
评论
(English) Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.
(English) Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present.
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