randian | 燃点

大皇宫（3 Avenue du Général Eisenhower, 75008 Paris），展期2019 […] >> 更多

现在，你可以在Almine Rech画廊的展厅里欣赏到最终完成的鹈鹕了。 >> 更多

正如格罗伊斯在他的文章《论新艺术》（On the New）的开头所提到的那样：“最初，我们认为艺术史就是博物馆里陈列的那些东西。”也许有人会突然像马克思那样补充道——为什么不呢——其次才是闹剧。 >> 更多

(English) in abstraction, I find that people try to explain what you cannot explain. Come on, it’s only a painting, you know! >> 更多

(English) It’s a natural and useful process. As the career of an artist becomes consolidated, his work is subject to a discourse that facilitates knowledge of the same and determines its popularity. >> 更多

(English) Frieze is looking very intensely to China, so maybe we can look forward to a tent on Tian An Men square. >> 更多

他们仿佛置身熔炉，已化为钢流，那些受虐的、施虐的，都充斥在杨少斌的作品中，屏幕的视觉暴力与网络的古灵精怪满足着我们对恋虐的窃视，让你的目光无处可逃！
 
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(English) To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> 更多

(English) Richard Koh Fine Art (RKFA - KL) is pleased to announce Indonesia based Afghanistan artist Amin Taasha’s (b.1995) first solo exhibition in Malaysia. >> 更多

在当代的伦常世界里，人的躯体往往具有一种稳固的神圣特征。人体成了一种象征“人性”价值完整性的符号装置。关于肢体分离的古代刑罚进而显得“不人道”并遭到抛弃。与此相对，出于挑衅世俗人性准则的动机，当代艺术中许多作品往往选择以“去人性化”的态度对人体展开改造、拆解与重组。由于观念的深浅有别，艺术家在改造人体时所依靠的逻辑有着天壤之别。 >> 更多