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2018.11.02 Friday, 文 /

村上隆在奇幻仙境
贝浩登

贝浩登(上海)荣幸宣布呈现日本艺术家村上隆(Takashi Murakami ) 个展, >> 更多
访谈, 2018.03.14 Wednesday, 文 /

审美失调:阿塞尔和鲍里斯·维伍德谈论他们折衷的收藏方式……以及一两个异乎寻常的故事……

(English) Axel Vervoordt is one of the most influential interior designers of his generation but he started his career as a collector and art dealer. In recent years, Axel has returned to this with his son Boris, who leads the gallery in Antwerp and Hong Kong, as well the company’s architecture and design business. >> 更多
艺术家档案, 2018.03.11 Sunday, 文 /

塞昆迪诺·埃尔南德斯

正如格罗伊斯在他的文章《论新艺术》(On the New)的开头所提到的那样:“最初,我们认为艺术史就是博物馆里陈列的那些东西。”也许有人会突然像马克思那样补充道——为什么不呢——其次才是闹剧。 >> 更多
艺术家档案, 2017.10.20 Friday, 文 /

陆扬 ‘Hell’ 柏林

(English) Hell here is an opulent info overload, data is religion, A.I. is unhinged, google images are the panopticon of the gaoler-prisoner, miasma is Miami and resistance art is futile. I kept thinking of Kanye West's Monster track—but only the bits with Nicky Minaj. >> 更多
艺术家档案, 2016.11.16 Wednesday, 文 /

(English) Announcement of the Founding of the Kunsthalle for Music

(English) Can we imagine a space for music that exists outside of any media and beyond the stage? A space for unrecordable music, music of undefined duration, existing even when no audience is present? >> 更多
艺术家档案, 2014.12.15 Monday, 文 /

(English) Anselm Reyle: Prove Our Love

(English) Leading Australian conceptual artist Scott Redford muses on the place of Anselm Reyle in current postmodern discourse. Reyle, born 1970, retired this year despite being one of the most prominent German artists. >> 更多