randian | 燃点

东画廊荣幸宣布，生活并工作于北京的画家李珊举行在本画廊的首次个展。此次展览名为“复|兴”，集中呈现了艺术家近期及来自上世纪七十年代的创作，其中许多在过去颇为罕见或不曾展出。 >> 更多

东画廊荣幸宣布，生活并工作于北京的画家李珊举行在本画廊的首次个展。此次展览名为“复 | 兴”，集中呈现了艺术家 […] >> 更多

2012年，刘栗溧（Anna Liu）开始担任中国当代艺术奖（CCAA)总监。在与《燃点》的访谈中，刘栗溧谈到了CCAA奖的理念、目标及其到的挑战...... >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多

(English) In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> 更多

大皇宫（3 Avenue du Général Eisenhower, 75008 Paris），展期2019 […] >> 更多

当代唐人艺术中心很荣幸在香港空间为德国艺术家乔纳斯•伯格特举办在亚洲的首次个展 -《Ein Klang Lang》， >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多