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2017.01.06 Friday, 文 /

SCoP新年首展|《德国制造》:一场不容错过的160年德国摄影纵览

在2017年伊始,上海摄影艺术中心荣幸推出新年首展:《德国制造——从十九世纪到今天的德国摄影》。 >> 更多
2016.04.11 Monday, 文 /

(English) KEIJI UEMATSU

(English) Simon Lee Gallery is proud to announce a solo exhibition of new and historical work by Japanese conceptual artist Keiji Uematsu, his first ever in the United Kingdom. >> 更多
2016.03.03 Thursday, 文 /

(English) Simon Lee Gallery
KEIJI UEMATSU—
INVISIBLE FORCE

(English) Simon Lee Gallery is proud to announce a solo exhibition of new and historical work by Japanese conceptual artist Keiji Uematsu, his first ever in the United Kingdom. >> 更多
2016.02.18 Thursday, 文 /

(English) CANDIDA HÖFER: MEMORY | Private View | Monday, 21 March, 6-8 pm | Hong Kong

(English) After receiving critical acclaim at the State Hermitage Museum in 2015, >> 更多
2015.08.12 Wednesday, 文 /

论方法—— 康迪达·赫弗个展

北京德国文化中心·歌德学院(中国)和三影堂摄影艺术中心很荣幸能够为当代德国最负盛名 的艺术家之一——康迪达·赫弗举办首个在京个展。 >> 更多
2014.09.30 Tuesday, 文 /

空间守望者:康迪达·赫弗

康迪达·赫弗 1944 年在埃伯斯瓦尔德出生,现居和工作于科隆。 >> 更多
2013.11.26 Tuesday, 文 /

Glance: Shadows on the Wall Thomas Ruff’s Photograms

(English) Thomas Ruff’s virtual darkroom might be seen as a type of Platonic cave too. For Ruff, a photograph – as opposed to a mere print, like a monotype – must exist twice. For instance, at least one negative and one print. There must be multiples. >> 更多
2013.06.13 Thursday, 文 /

建吾于斯,毁吾于斯:Eric Tabuchi的《进程的纪念碑》

纪念碑式的建筑往往是简单的。圆形、方形与三角形的简明几何规划;繁复的拱门与层次;或仅以庞大沉重的体量让人不容忽视。然而,建筑会否一日丧名?或反之,会否即成不朽?纪念碑式的与反纪念碑式的建筑近日于香港大学/上海研究中心的展览“进程的纪念碑”中展开较量...... >> 更多
2012.08.08 Wednesday, 文 /

Andreas Gursky in a Chinese Context

One of the most important artists working in photography today, and a famously errant pupil of the Ernst and Hilla Becher school of German photography, Andreas Gursky’s subtly manipulated and densely rich images, often large scale, have helped transform photography into a highly synthetic and conceptual art form. >> 更多