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2020.08.04 Tuesday, 文 /

林穴先生去世(1968-2020)

林穴先生去世(1968-2020) >> 更多
2020.07.26 Sunday, 文 /

郭鸿蔚:在人民间

点击在线浏览 前波画廊诚挚地宣布将在美国艺术经销商协会(ADAA)线上展厅展出《郭鸿蔚:在人民间》。自其200 […] >> 更多
2020.07.26 Sunday, 文 /

张子飘个展:春光乍泄,北京空白空间

我们高兴地宣布,张子飘在空白空间的第二回个展“春光乍泄”将在2020年7月18日于线下展览空间与线上虚拟展厅“spaces”同期开幕。 >> 更多
Artist profiles, 2020.06.17 Wednesday, 文 /

柳溪 Paradox

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多
Artist profiles, 2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
Artist profiles, 2020.04.21 Tuesday, 文 /

(English) ‘The Mirror Sees Best in the Dark’: A solo by Bose Krishnamachari after 9 years

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多
Interviews, 2020.03.16 Monday, 文 /

(English) Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多
Interviews, 2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
Interviews, 2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多
Interviews, 2019.12.18 Wednesday, 文 /

(English) JOÃO PENALVA
Simon Lee Gallery, New York

(English) Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. For his first solo exhibition in New York since 2002, Penalva presents two new series of work based on photographs taken at the São Carlos National Theater, in Lisbon, Portugal, that explore the physical mechanics of theatrical fictions and illusions. >> 更多

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