“徐震：永恒Vs. 进化论”展评
海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多
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(English) Thao Nguyen Phan’s Becoming Alluvium at Chisenhale Gallery, London
对不起，此内容只适用于English。 >> 更多
萨拉·卢卡斯：即兴的女权
从艺术创作的角度讲，创作者需要在“普世化的女性艺术”的前提下自然而然地展示自己的视角，萨拉卢卡斯式的“即兴”创作方式即是在践行这种视角，避免自我“她者化”的存在。 >> 更多
(English) Entries open for the 14th edition of Arte Laguna Prize, Venice
对不起，此内容只适用于English。 >> 更多
(English) HOL: Scab: Crying Tiger In The Night Market
Richard Koh Fine Art (RKFA)
(English) Richard Koh Fine Art (RKFA) is pleased to announce its participation in Art Jakarta 2019 with the solo presentation of Malaysian artist; >> 更多
郑皓中
TAKI
BANK
TAKI作为艺术家简单的社交生活结构中重要一员， >> 更多
(English) From Basel to Hong Kong. An interview with Dominique Lévy
(English) Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> 更多
Forget the Future: The 6th Guangzhou Triennial
The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多
(English) Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift Chambers Fine Art New York
(English) Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> 更多
