randian | 燃点

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多

(English) Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多

(English) FIAC opened this week with 192 galleries exhibiting from 29 countries. Ran Dian spoke with Jennifer Flay, FIAC's director. >> 更多

第一届安仁双年展“今日之往昔”由艺术史学者吕澎策划组织，希望通过双年展的四大主题板块探究艺术的历史发生，如何在历史、当下与未来可能性之间建立对话。 >> 更多

(English) The moment we embarked on the journey of inves­ti­gating Pan Yuliang and her life, we found the pre­scribed mis­sion of speaking for her impos­sible. >> 更多

Spring工作室欣然呈獻作曲家及藝術家Ari Benjamin Meyers的創作項目《這是一種呈示，不是一個展覽 》 >> 更多

卓纳画廊于纽约切尔西区20街西537号呈现尹亨根（1928-2007）大型绘画作品展，展出艺术家创作于20世纪70年代中期至80年代的作品。 >> 更多

(English) I stepped off the plane, inhaled deeply, and choked on the news that America had elected Donald Duck as president. Had the plane actually crashed in a massive ball of fire without me noticing? >> 更多