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2020.12.17 Thursday, 文 /

漫步城市滨海,探寻“明日公园”——欢乐港湾艺术计划开幕

联合欢乐港湾海滨文化公园海洋与大陆、城市与自然交融的环境优势,做出场地特定介入,策划展览国内外艺术家及建筑师在地创作的13组公共艺术作品 >> 更多
访谈, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
访谈, 2020.12.16 Wednesday, 文 /

“徐震:永恒Vs. 进化论”展评

海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看,目前在澳大利亚国家美术馆(NGA)的展览《徐震®:永恒Vs. 进化论》(XU ZHEN®: Eternity Vs Evolution)亦然:观众看到的,是关于中国过去和当下的两种成见的结合。 >> 更多
Interviews, 2020.11.03 Tuesday, 文 /

维尔纳·巴特纳与坏画的诞生

维尔纳·巴特纳,改变了八十年代的德国狂野画家。 >> 更多
Artist profiles, 2020.11.03 Tuesday, 文 /

(English) Võ An Khánh – When Documentary Photographs Are No Longer Mementos

(English) Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> 更多
Artist profiles, 2020.09.23 Wednesday, 文 /

戴面具的人
韩峰新作点燃的故事

男人们蹦跳呼喊,穿着满是织花的衣服从旁进过,他们的身体分化成飞舞的颜色。安迪愣了片刻才意识到,这些男人通红肿胀的脸和黑色空洞的眼睛是木质的面具。 >> 更多
Artist profiles, 2020.09.03 Thursday, 文 /

(English) Takashi Murakami:“Michel Majerus Estate”

(English) The Michel Majerus Estate is delighted to present Takashi Murakami: Michel Majerus Superflat, curated by Tobias Berger. >> 更多
Artist profiles, 2020.07.26 Sunday, 文 /

郭鸿蔚:在人民间

点击在线浏览 前波画廊诚挚地宣布将在美国艺术经销商协会(ADAA)线上展厅展出《郭鸿蔚:在人民间》。自其200 […] >> 更多
Artist profiles, 2020.06.20 Saturday, 文 /

(English) THE virus – SELBST (C0vid-20-Recovered)

对不起,此内容只适用于English。 >> 更多
Artist profiles, 2020.05.28 Thursday, 文 /

2020希克奖:乌里•希克、香港M+美术馆馆长华安雅、获奖者杨嘉辉访谈

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

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