randian | 燃点

史蒂芬·斯姆肖维茨那颇具争议的商业模式、顽固的个性、社交媒体上无处不在的身影、放言无忌的大嘴，总是在热烈而两极分化的争论中为他赢得一席之地：争辩的焦点，莫过于他对于新兴艺术家的作品采取囤积居奇的策略，以此同美术馆及其他艺术经销商竞争市场份额。 >> 更多

貝浩登(香港)很榮幸為瑞典藝術家延斯·梵歌舉辦個展 《SISTER FEELINGS》,這是繼上年春季貝浩登(巴黎) 的《THE HOURS BEFORE》展覽後,藝術家的第二次貝浩 登個展 >> 更多

繼大英博物館藏文藝復興素描展之後，蘇州博物館現代廳又將迎來一次詩意而當代的變身。藝術家彭薇將攜其五年來的50餘件作品，在貝聿銘設計的園林空間裡用水墨營造出一個融貫中西的對話場。 >> 更多

(English) Outline for a story that isn’t a horror story, though it might at first resemble one: The painter paints—an abstraction, a grid, a controlled Cartesian situation. >> 更多

朱毅勇个展《心境》 世界画廊（Galerie du Monde） 传媒预展：2016年11月17日（星期四）， […] >> 更多

吴少英个展“洄”将于11月11日15点在不同艺见艺术中心开幕。 >> 更多

(English) Galerie du Monde takes great pleasure in presenting The Realm of the Heart, a solo exhibition of new work by Zhu Yiyong (b. 1957, Chongqing). >> 更多

(English) The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> 更多

在《宇宙哲学》中，是以宇宙三素四维无限为最大推理前提。而在现实中，宇宙是五维的，一维物质，一维时间，三维空间。 >> 更多

(English) The 1970s were a difficult period for the former members of the Gutai Art Association to maintain their identities as artists. >> 更多