Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more
Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
The International Awards for Art Criticism Ltd. (IAAC) launches the fifth edition of their Awards this month (IAAC 5) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at Shanghai Minsheng Art Museum on May 21, 2018. >> Read more
The International Awards for Art Criticism Ltd. (IAAC) launches the fourth edition of their Awards this month (IAAC 4) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at the Shanghai Minsheng Art Museum on 2 June 2017. >> Read more