randian | 燃点

In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> Read more

Galerie Gisela Capitain is delighted to announce an exhibiFon of twelve new painFngs by Wade Guyton. This is his third show at the gallery. >> Read more

Gallery Gisela Capitain is delighted to announce its fourth solo exhibition by Polish artist Monika Sosnowska. >> Read more

Galerie Gisela Capitain is pleased to announce its first exhibition with Peruvian artist Ximena Garrido-Lecca (* 1980 in Lima, Peru). >> Read more

Cologne is the source of Germany’s contemporary art scene. It is home to the massively influential Museum Ludwig and the world’s oldest art fair, Art Cologne, the 52nd edition of which has just opened, as well as being a hub for many of the most important post-war German artists, including Gerhard Richter, Sigmar Polke, Georg Baselitz […] >> Read more

Galerie Gisela Capitain is pleased to announce the exhibiEon Spuren sichern (Securing Evidence) with new works by Marcel Odenbach. >> Read more

Berlin gallery Nagel Draxler has announced the opening on April 18th of a new space in Cologne, beginning with an exhibition of new works by New York artist Egan Frantz (1986*). Nagel Draxler participated in Art Basel Hong Kong this year with a presentation of works by Martin Kippenberger and Gang Zhao. Founded in 1990 in […] >> Read more

(中文) Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。 >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more