randian

2017.09.06 Wed, by

[dis][locate] : a Presentation
Chronus Art Center

Chronus Art Center (CAC) is pleased to announce [dis][locate], >> Read more

2017.08.03 Thu, by

“Physical Theatre”, ShanghART on the West bund, Shanghai

ShanghART Gallery is pleased to present group exhibition Physical Theatre at 1F, ShanghART Westbund from August 9 until September 10 with 12 artists’ photography works. Physical Theatre, taking “physical body” as the starting point, intends to reveal the close relations between the individuals and the reality on the basis of artists’ perspectives as well as […] >> Read more

2017.07.31 Mon, by

“Never!” —- Chen Xiaoyi

A Thousand Plateaus Art Space ishonored to announce that Chen Xiaoyi’s personal project “Never!” will open on22nd, July, 2017 in the project space on the third floor of AThousand Plateaus Art Space. >> Read more

2017.06.17 Sat, by

Zhan Wang: Forms in Flux Long Museum (West Bund)

Long Museum (West Bund) will host the exhibition, “Zhan Wang: Forms in Flux”. >> Read more

2017.03.06 Mon, by

Liang Shaoji Solo Exhibition: Sha Sha Sha – ShanghART-F1

Liang Shaoji, dubbed as a “Recluse” residing in a remote mountain, >> Read more

2017.02.13 Mon, by

Liang Shaoji Solo Exhibition: Sha Sha Sha, ShanghART

Liang Shaoji, dubbed as a “Recluse” residing in a remote mountain, purely devotes to art by his idiosyncratic creations imbued with ecological aesthetics. He has adopted silkworms as his artistic medium for twenty-eight years. ShanghART is delighted to present his solo exhibition “Sha Sha Sha” on the first floor of the West Bund new space […] >> Read more

思考, 2016.12.02 Fri, by

Telofossils, Network Hybridity, and the Politics of Pleasure in Speculative Realism

For a world that we cannot perceive, what does it matter whether it exists or not? Perhaps you can further demonstrate that, though an autonomous world is imperceptible, it can still think for us. Yet in this sense, such a world becomes one stipulated by human thought, and ultimately cannot escape the fundamental relationship between thinking and being. >> Read more

思考, 2016.10.26 Wed, by

ALEX SETON
“Pygmalion”
Sullivan+Strumpf
Singapore

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more

思考, 2016.10.18 Tue, by