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2019.07.25 Thu, by

The Violence of Gender

对于“性别的暴力”的审视,总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述,经由身体和文化的建构,都会反作用于评论者自身,成为一种自诘式话语的变体。 >> Read more
2019.06.22 Sat, by

Song Hongquan: Underground
Chambers Fine Art

Chambers Fine Art is pleased to announce the opening on June 22, 2019 of Song Hongquan: Underground. >> Read more
2019.06.17 Mon, by

“Soulmates” at HB station

Being said, in comparison to her predecessors, JY purposely steps back from being an “artist as a creator” to “artist as an observer,” deploying a meticulous and reserved manner to scrutinise the system. >> Read more
2019.05.28 Tue, by
2019.05.02 Thu, by

42 + 1
ART LABOR

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more
2019.04.13 Sat, by

Ways to Get Closer to It—The Inner Flesh of Time—In the Age of Consumable Desires

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more
2019.04.02 Tue, by

M+ announces the six artists shortlisted for the inaugural Sigg Prize, with the winner to be announced in January 2020

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more
2019.04.02 Tue, by

HUGO BOSS ASIA ART 2019—Four Finalist Artists to be Announced

the finalist artists of the fourth edition of the HUGO BOSS ASIA ART Award are: Hao Jingban (China), Hsu Che-Yu (Taiwan), Eisa Jocson (Philippines) and Phan Thảo Nguyên (Vietnam). >> Read more
2019.03.08 Fri, by

Taipei Biennial 2020 Curators Announced

The Taipei Fine Arts Museum has officially announced that the 12th edition of the Taipei Biennial, slated to take place in late 2020, will be curated by the renowned French sociologist and philosopher Bruno Latour and the independent curator and artist Martin Guinard-Terrin. >> Read more
2019.03.01 Fri, by

The Snake that Eats Itself

The first appearance of the ouroboros—the mythological snake that eats its own tail—appears in an ancient funerary text discovered in the tomb of Tutankhamen in 14th century BC. Across cultures, this act of autophagy has symbolized the cyclical processes of life and death, whose union can be seen formulating pre-modern conceptions of eternity. >> Read more

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