randian | 燃点

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more

The HdM gallery is currently hosting an exhibition of French artist Martial Raysses’s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene. >> Read more

by Alice Gee Sifang Art Museum Shanghai pop-up (Jing’An District) 8 Nov.-8 Dec. 2019 I stand beside three large rings mounted on white platforms at equidistant intervals. Nik Kosmas is talking about 13 years ago and being 20 someplace else. ‘I’m 21!’ I blurt out. I edge back and hope one of Li Jingxiong’s tarpaulins […] >> Read more

SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> Read more

Wie wurde Xu Hongxiang so gut, in so kurzer Zeit? >> Read more

Edouard Malingue Gallery Shanghai announces its new group exhibition, “Healthier, Simpler, Wiser.” The exhibition brings together three highly reputed mid-career Chinese artists: Hu Xiangqian from Guangdong, Lai Chih-Sheng from Taipei, and Kwan Sheung Chi from Hong Kong. Each will present a work newly commissioned by the gallery, together with a selection of recent works. While […] >> Read more

THE TWENTY-EIGHT PERCENT by Sara Kramer At this year’s Art Brussels press conference, it was announced as a positive development that 28 % of the participating artists at this year’s fair were women. To be fair, it is in fact an improvement in comparison to last year where it was only 21 %. Despite the […] >> Read more

Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. >> Read more