randian | 燃点

Chambers Fine Art is pleased to announce the opening on March 10, 2018 of Cai Jin: Arcadia, her second exhibition at the gallery. >> Read more

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more

Led by independent curator Biljana Ciric, throngs of spectators enter this vacant villa owned by the Ming Yuan group, its spaces wafting with the scent of ancient tombs. This site-specific performance art project is affiliated with “Proposals to Surrender,” the group exhibition Ciric curated last year. >> Read more

Almine Rech Gallery Paris is pleased to present the first exhibition by danish artist Per Kirkeby with the gallery, featuring a selection of large-scale paintings and  bronze sculptures. >> Read more

Sorry, this entry is only available in 中文. >> Read more

HONG KONG – Galerie du Monde is pleased to announce Memories of West Lake, >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more

Tang Contemporary Art is proud to present “In The Desert Below a Constellation · In The Sky,” a solo exhibition for artist Zhao Zhao, curated by Jérôme Sans, from October 7 to November 8, 2017. “In The Desert Below a Constellation · In The Sky” is a journey through Zhao Zhao’s artistic universe and approach […] >> Read more

It is Leo Gallery’s honour to hold in Shanghai the solo exhibition of highly celebrated Chinese abstract art master Tan Ping. Compared to the solo exhibition presented in Leo Gallery Hong Kong earlier, this would be an integrated manifestation of art and space in a new form. “Form-forces” directly infuses specific site and space with […] >> Read more

In Han Bing’s new paintings, fragments of urban space appear as portraits. Torn posters and sprayed tags and coils of chain-link fence coalesce into veritable personalities—not faces, nothing recognizable, but the sense is there nonetheless. There’s a whole genre of art and film in which the personification of architecture allows personal dramas to play out […] >> Read more