“My Generation: Young Chinese Artists” is New York-based critic, curator, writer and journalist Barbara Pollack’s well-chosen introduction to new Chinese art and artists. It's the first exhibition in the United States to exclusively showcase the work of the post-Reform and Opening (1978–79 onwards) generation... >> Read more
A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
PANDAMONIUM PREVIEW // INTERPIXEL focuses on the work of Shanghai and Budapest artists who engage in experiments with new media, introducing into Chinese and Hungarian art new creative ideas and aesthetic approaches. >> Read more
PANDAMONIUM, the title of this exhibition, suggests two conflicting ideas: the soft, cuddly, diplomatic, almost clichéd, image of the Panda, one of the great symbols of China to the outside world, and the wild, fertile, noisy disorder of Pandemonium, the place of all demons in Milton’s ‘Paradise Lost’. >> Read more
A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
It was difficult, at times, to keep track of everything on offer; particularly chaotic was the China Focus section which, despite the amount of hoopla that surrounded it in the run up to the fair, was squeezed into a small back section.
Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more