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2018.07.10 Tue, by

“Paysage”
Wang Du and An Xiaotong
Tang Contemporary Art Beijing Space II

Tang Contemporary Art is proud to announce the two-person exhibition “Paysage” for Wang Du and An Xiaotong at Tang Contemporary Art Beijing Space II from July 14 to August 23, 2018. >> Read more
2018.06.25 Mon, by

Chen Yujun
Refection From the Golden Dome
Rén Space

Rén Space is proud to announce the opening of Reflection From the Golden Dome, by Chen Yujun on June 24th, 2018. >> Read more
2018.06.21 Thu, by

CHEN YUJUN
Reflection From the Golden Dome
Rén Space, Shanghai

Rén Space is proud to announce the opening of Reflection From the Golden Dome, by Chen Yujun on June 24th, 2018. >> Read more
2018.06.11 Mon, by

XIMENA GARRIDO-LECCA
Galerie Gisela Capitain, Cologne

Galerie Gisela Capitain is pleased to announce its first exhibition with Peruvian artist Ximena Garrido-Lecca (* 1980 in Lima, Peru). >> Read more
2018.06.11 Mon, by

M+ presents –
In Search of Southeast Asia
through the M+ Collections,
the museum’s first interdisciplinary exhibition to explore the dynamic and diverse region

(7 June 2018, Hong Kong) M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, is pleased to announce In Search of Southeast Asia through the M+ Collections, which will be presented at the M+ Pavilion from 22 June until 30 September 2018. >> Read more
2018.06.07 Thu, by

Chenchenchen
The Mercy of Not Killing 2.0
Migrant Bird Space & MO-Industries, Berlin

Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> Read more
Interviews, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more
Interviews, 2018.06.04 Mon, by

The 4th Int’l Museum Workers Day #IMWD2018 on Thursday, JUNE 28, 2018.

We invite you to join the 4th Int’l Museum Workers Day #IMWD2018 on Thursday, JUNE 28, 2018. >> Read more
Interviews, 2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
Interviews, 2018.06.01 Fri, by

[和heʼ] Contemporary Art Exhibition
Taipei Cultural Center, New York

和 (he’) in Mandarin Chinese can be translated into, among other things, “with”, “harmonious”, “peace”, “unity”, and ”understanding”. >> Read more

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