randian | 燃点

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

Marlborough Fine Art is pleased to present a survey exhibition tracing the developments of post-war British sculpture from 1951-1991. >> Read more

Dominique Lévy and Brett Gorvy, principals of Lévy Gorvy, announced today that the gallery will expand its presence in Asia with the opening of an office in Shanghai, China, and the appointment of Danqing Li as Senior Director, Asia. >> Read more

The International Awards for Art Criticism Ltd. (IAAC) launches the fourth edition of their Awards this month (IAAC 4) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at the Shanghai Minsheng Art Museum on 2 June 2017. >> Read more

Following exhibitions in Hong Kong, New York, and Paris, Perrotin is delighted to present John Henderson’s second solo show in Hong Kong. >> Read more

Talkover/Handover 2.0 at 1a Space / “Canton Express: Art of the Pearl River Delta” at M+ Pavilion / Fereydoun Ave's “Shah Abbas and His Page Boy” at Rossi & Rossi / Wong Chung-Yu's “Centrifugal Force” at Hanart TZ gallery / Jacqueline Kiyomi Gordon's “Catchy” at Empty Gallery / R. Streitmatter-Tran's “Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran” at de Sarthe gallery >> Read more

If but for a moment the inevitable fate of a point in time, or our perception of a thing, was seen, held. ‘one second ago’, a group exhibition at Edouard Malingue Gallery, Hong Kong, evokes that tittering sense of balance regards a state of existence or actuality, whether represented by assemblages of the quotidian or […] >> Read more

A+ Contemporary is pleased to announce the opening of artist Dai Chenlian’s solo exhibition “A Bright Moon Surging Upon Tide” on July 15th, 2017. >> Read more

The moment we embarked on the journey of inves­ti­gating Pan Yuliang and her life, we found the pre­scribed mis­sion of speaking for her impos­sible. >> Read more

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more