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As a burgeoning contemporary art space in Chengdu, L-Art Gallery focuses on young and middle-aged artists, and is committed to discover and cultivate young artists. >> Read more

With money and space, the Long Museum has potential, but do they have the curatorial chops to turn a building into a museum? Despite a less-than-mind-blowing first show, it's nonetheless a good place to see a very extensive collection of Chinese art. >> Read more

As we might have imagined, the Chinese art scene of 2012 was full of glitz and clamor. This was demonstrated most aggressively through the curation in the first large-scale solo show of the year... >> Read more

Beijing Editors Iona Whittaker and Liang Shuhan examine the value, in hindsight, of Wang Guangyi's activities and first paintings in the 80s, at the juncture of art, politics, and philosophy.

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There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

The Bunker art space announced Thursday that its landlord, Renmin University Of China, has decided to convert the entire courtyard into a ‘patriotic education base’ and was resuming all premises in the adjacent courtyard, particularly those with historical significance, such as the former bunker. >> Read more

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more

(中文) 高远策划的“基底”展览或许是个提醒，无论它的成与败，都在提醒我们应把更复杂的社会现实作为基底，在此之上思考艺术与创造，我们必须主动卷入艺术史与现实纠缠的漩涡中， 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more