randian | 燃点

北宋思想家周敦颐作《太极图说》认为：“无极而太极，太极动而生阳， >> 更多

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(English) AYE Gallery is pleased to present Chi Qun's new works solo exhibition >> 更多

开幕：2015年01月25日15：00 - 18：00 >> 更多

在展厅里，我们能看到伫立的人像，它们一 言不发，却把自身的每一处细节，包括那些似乎破损的部分，都融入到有韵律的节奏中; 它旁边的绘画从安静转入热烈，用最具想像力的方式描绘有关“你将遇见一只企鹅”的故事，或者某位“减肥成功的小孩”……在另一边，抽象的绘画再次回到安静 的节奏中，在隐藏的火花里把视线延展到思维的边缘…… >> 更多

aye gallery 成立于2005年12月，地处北京中心城区，雍和宫、国子监、地坛等历史文化名胜围绕四周。 >> 更多

林濤個展《滯後的日常》訂於二零一八年一月二十六日於畢打行漢雅軒開幕。 >> 更多

层次，是日本艺术家铃木隆太创作的源泉： >> 更多

海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多