randian | 燃点

对不起，此内容只适用于English。 >> 更多

关键不在于做什么，而在于如何去做，其结果或者被称之为善举，或者被冠之为优秀艺术。以此展览来说，艺术家张玥和包晓伟获得了双赢，《缅北战事》堪称2015年北京最令人难忘的展览。 >> 更多

至少，在那段时间里，张玥和包晓伟在这个可能性被淹没、复杂性被简化的时代，重建了自己的生活。 >> 更多

(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> 更多

(English) SINGAPORE ART MUSEUM ANNOUNCES SINGAPORE BIENNALE 2019 ARTIST AND ARTWORK HIGHLIGHTS >> 更多

(English) Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> 更多

(English) S.E.A. Focus, a new platform to raise attention on Southeast Asian modern and contemporary art, today revealed the list of galleries and artists partaking in its inaugural edition (23 – 27 January 2019). >> 更多

現時無論是出於象徵性的行動還是政府政策，世界各地都重起對「文化遺產」涉及的範疇為何進行討論，不論是在印度、緬甸、美利堅邦聯，或種族隔離的南非，都共同關心著何以歸還被殖民者掠奪的工藝品、對歷史符號不同程度和方式的移除與重新命名，以及誰擁有話語權等；與此同時，中國的民族主義復甦亦開始將一種帝國傳承的敘述置入其二十一世紀形象的核心。 >> 更多

每一個社會都建基於諸多強大的信仰體系, 它們是我們文化和日常生活的一部分。 >> 更多

（2018年6月7日──香港）西九文化区M+宣布将在2018 年6月22日至9月30日于M+展亭举行「南行觅迹：M+藏品中的东南亚」展览。该展览规模庞大，精选展品繁多，将展出的共70件作品出自28位艺术家、建筑师和设计师之手，他们来自九个东南亚国家，再加上香港、荷兰、斯里兰卡及美国等地。 >> 更多