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2016.03.28 Monday, 文 /

逾越概念,直指本真

“绘画乃心灵之事”;这句达芬奇名言的回声对于许多当代的画家来说似乎成了惑人的迷局。唐永祥,一位出生于1977年的中国画家将此转化为时常自问的话头。通过参观他在魔金石空间的第二次个展,我开始意识到两种张力...... >> 更多
艺术家档案, 2021.03.23 Tuesday, 文 /

(English) True Paradise
Dao Chau Hai’s ‘THINH’
at Manzi Art Space, Hanoi

(English) Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> 更多
艺术家档案, 2021.02.18 Thursday, 文 /

(English) Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多
艺术家档案, 2021.02.18 Thursday, 文 /

(English) Thinh Nguyen’s American Road

对不起,此内容只适用于English。 >> 更多
访谈, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
访谈, 2020.10.30 Friday, 文 /

(English) Xie Nanxing: “A Roll of the Dice”, Galerie Urs Meile Beijing

(English) Galerie Urs Meile is pleased to announce the Xie Nanxing solo exhibition A Roll of the Dice. The exhibition unfolds around the artist’s recent thinking on “waiting” and “randomness,” presenting works from three series: What to Exhibit (2017), Seven Portraits (2018), and A Theater of Waiting (2019). >> 更多
访谈, 2020.10.23 Friday, 文 /

(English) Marc Schmitz & Han Feng at M68 Berlin

对不起,此内容只适用于English。 >> 更多
艺术家档案, 2020.09.01 Tuesday, 文 /

展示与讲述: 曹雨的性别化象征

曹雨的作品极简、观念,且蓄意挑衅,这是她对材料的物性进行考量之后的发挥,从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质,包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多
艺术家档案, 2020.08.20 Thursday, 文 /

(English) Qiu Shihua: “Empty / Not Empty”

(English) Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> 更多
艺术家档案, 2020.06.20 Saturday, 文 /

柔弱者生之徒

(English) Kunsthalle Lissabon presents The Soft and Weak Are Companions of Life 柔弱者生之徒, the first solo show in Portugal by Hong Kong-based Zheng Bo. >> 更多

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