“细微层面的参与”：记第八届深圳雕塑双年展“我们从未参与”
“我们从未参与”也许不一定跟作品直接有关，也不是每件作品都具有显而易见的参与性。然而并置正是一个对既有系统进行提问的方式之一。可以说，“我们从未参与”的意义恰恰是需要观众来填补的...... >> 更多
SEARCH AGAIN
| CATEGORY | ||
| 日期 | ||
| 从: | ||
| 至: | ||
| 日期格式: 1/30/2012 | ||
| 关键字 | ||
| >> Search | ||
摄影之“空”：“摄-影”的诗哲学反思：卡别耶拉·莫拉维茨与李圭的圆桌对话
《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多
(English) Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’
(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多
(English) “Volume Eleven” by Ash Ghazali & S.E.A. FOCUS 2021 featuring Hu Qiren, 16 – 24 Jan 2021
(English) "Volume Eleven" by Ash Ghazali & S.E.A. FOCUS 2021 featuring Hu Qiren, 16 - 24 Jan 2021 >> 更多
“徐震：永恒Vs. 进化论”展评
海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多
扎拉·琼·威廉姆斯 Zara June Williams 熔断·熔接Fuse
COMA 画廊, 悉尼，澳大利亚
(English) Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> 更多
张子飘个展：春光乍泄，北京空白空间
我们高兴地宣布，张子飘在空白空间的第二回个展“春光乍泄”将在2020年7月18日于线下展览空间与线上虚拟展厅“spaces”同期开幕。 >> 更多
(English) Phantoms and Aliens
The Invisible Other (Chapter 3)
(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about
otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the
perception of phantom as invisible spirit to explore another, subtler dimension of
invisibility, that is, social invisibility originated in discrimination and alienation.
Featuring works that span documentary photography and oral history, to
painting, mixed-media and video installations, the overarching focus of the
exhibition is to consider the invisible other in society: the people, or
communities, that live on the margins because of ethnic, religious or cultural
differences. These individuals are but phantoms, alienated from the wider
society - they are invisible, yet, they exist. >> 更多
