randian | 燃点

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多

《表现形式（Manifestations）》是菲利普·帕雷诺（Philippe Parreno）在施博尔画廊的第八次个展。其包括跨越多种媒介的作品：微粒合成的背景音乐、电脑三维动画电影、大气传感器、机械系统、计算机代码、冰和水。 >> 更多

已过九旬的亚历克斯·卡茨（Alex Katz）以其清晰分明的视觉和绘画风格闻名于世。我们通过电话与卡茨聊了聊他的影响、最近的展览以及他所有作品中最重要的一位模特——他的妻子和长达60年的灵感缪斯，艾达（Ada）。 >> 更多

(English) Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> 更多

(English) The Bunker art space announced Thursday that its landlord, Renmin University Of China, has decided to convert the entire courtyard into a ‘patriotic education base’ and was resuming all premises in the adjacent courtyard, particularly those with historical significance, such as the former bunker. >> 更多

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多

我们很难体会到“佛系青年”的力量指向哪里，如果非要指出一个去向的话，只要存在被现实压抑的个体以及无所适从的表达，这种弱抵抗的方式就会再次出现。 >> 更多

从艺术创作的角度讲，创作者需要在“普世化的女性艺术”的前提下自然而然地展示自己的视角，萨拉卢卡斯式的“即兴”创作方式即是在践行这种视角，避免自我“她者化”的存在。 >> 更多

(English) During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”. >> 更多