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Interviews, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
Interviews, 2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
Interviews, 2019.11.08 Friday, 文 /

2019台北艺术博览会

我简单写下我对本次台北艺术博览会的印象: “它既非常年轻,有着少年的不安感和乐观主义精神,也已苍老,透着饱经世故之后和人之老矣的一丝懈怠。 >> 更多
访谈, 2019.03.06 Wednesday, 文 /

目、手、心:玛吉·汉布林访谈

玛吉•汉布林(1945年出生),欧洲具象艺术的代表之一,不仅以肖像绘画和素描著称,亦善描绘她居住的英国萨福克郡周围的海景。她的雕塑作品也广为人知,其中有气势撼人的大手笔,也有触手可及的小型作品。今年春,中央美术学院美术馆将迎来汉布林在中国的首展…… >> 更多
访谈, 2018.12.20 Thursday, 文 /

(English) Jens Faurschou interview –
Munch in Copenhagen, Rauschenberg in Beijing

(English) Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> 更多
访谈, 2018.10.09 Tuesday, 文 /

(English) China Art Market—Storm Warning!

(English) The Stockmarket is wobbly, China growth is slowing, Beijing's regulatory regime is tightening, there is a lot of hidden bad debt (who knows how much in State Owned Enterprises), there is a property bubble and a trade war with the United States. >> 更多
访谈, 2018.06.07 Thursday, 文 /

施勇的立体写照:艺术家、艺术工作者及艺术收藏家

作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> 更多
访谈, 2018.05.12 Saturday, 文 /

不同流俗——AA Bronson与李佳桓对谈

也许,在当下的西方艺术界,从独立出版到酷儿历史和经历失落和希望,没有人比AA Bronson了解得更多。 >> 更多
访谈, 2018.04.05 Thursday, 文 /

內幕: 画廊2.0 

最近,似乎不管你把目光投向何处,都能看到有关画廊系统的抱怨。纽约在过去的数年间一直都在讨论“中型画廊面临左右夹攻”的现象——但无济于事。在那些重磅画廊身上,像是大卫卓纳、豪瑟沃斯、高古轩等等,抹一些不良的条件成功的可能性很小。 >> 更多
访谈, 2018.03.14 Wednesday, 文 /

审美失调:阿塞尔和鲍里斯·维伍德谈论他们折衷的收藏方式……以及一两个异乎寻常的故事……

(English) Axel Vervoordt is one of the most influential interior designers of his generation but he started his career as a collector and art dealer. In recent years, Axel has returned to this with his son Boris, who leads the gallery in Antwerp and Hong Kong, as well the company’s architecture and design business. >> 更多

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