日本——台湾：亦安画廊的跨文化憧憬
上世纪80年代，素昧平生的两名摄影师阮义忠（Juan I-Jong）和须田一政（Suda Issei），分别前往彼此的国家寻找新鲜的摄影素材。三十多年之后的今日，阮义忠的日本印象和须田一政的台湾印象终于第一次相互交织。 >> 更多
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OCAT上海馆｜格物
OCAT上海馆本年度首档新展“格物”将于3月12日开幕。 >> 更多
(English) From Memory to Archive: Remembrance and Amnesia in the works of Liu Ding
(English) Row after row of sleek black telephones on white plinths, each one indistinguishable from the next; we are reminded at first of the cold, impersonal, mass-produced objects of a factory, devoid of human traces. >> 更多
Dust and Shadows
本文仅限英文阅读 >> 更多
30219天：黎朗个展
黎朗（1969年出生于成都）作为一位优秀的摄影艺术家在1990年代末为业界熟知和认同，他的著名的摄影作品“彝人”系列为他赢得过包括美国琼斯母亲国际报导摄影最高奖在内的广泛声誉，并在国内外的许多重要平台进行过展览，被许多重要的美术馆和私人收藏家收藏。 >> 更多
Millet Mounds
[Press Release]
KAN XUAN: MILLET MOUNDS is at once a meditation on China’s imperial past and a broad survey of its present, in the form of 173 stop-action videos, each of which unfolds before one of China’s known extant imperial tombs. >> 更多
猛犸象牙和圣母像：与曾梵志谈话
But the part from the past will remain; each layer will contain a past. Then after another hundred years, the same thing happens: someone else will redo it. This all happens on a single piece of work, making and remaking, so there will be layer after layer. The color will be layered. It needs time, it needs devotion from all who made the work. >> 更多
