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2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
2020.03.16 Monday, 文 /

陈天灼 “后台男孩”

陈天灼以行为艺术最为出名,自称为“后台男孩”,他从观者的角度审视自己的艺术,并“消失在自己的作品中”。 >> 更多
2020.01.10 Friday, 文 /

(English) Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多
2019.09.16 Monday, 文 /

(English) Wang Wei
Edouard Malingue Gallery

(English) Edouard Malingue Gallery (Shanghai) is pleased to present Wang Wei’s solo exhibition “That is a Layer of Gauze that Mimics the Texture of the Wall” on 7th September. >> 更多
2019.09.02 Monday, 文 /

(English) Folded Veil
Edouard Malingue Gallery
Hong Kong

(English) ‘Folded Veil’ brings together six artists around an exploration of how gestures can conceal reality. >> 更多
2019.08.27 Tuesday, 文 /

斷裂點
厉槟源

艺术家厉槟源在仁庐的次个展《斷裂點》将于 2019 年 9 18 开幕。 >> 更多
2019.03.23 Saturday, 文 /

没有太阳
马凌画廊

如果说古典画家的使命是把事物描述得尽量有说服力, >> 更多
2019.03.08 Friday, 文 /

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多
2019.01.11 Friday, 文 /

周范
花粉
ART LABOR画廊

空气中漂浮的细微花粉随着声响宛如活物般地颤抖。 >> 更多
2018.11.27 Tuesday, 文 /

郝敬班
不速之客
刺点画廊,香港

郝敬班於刺點畫廊的首次個展“不速之客”展出她最新項目中的三部錄像作品。郝敬班的最新項目以 1930 至 1940 年代的滿洲國為背景,她通過歷史研究、資料搜集、實地考察、個人訪談,追溯滿洲映畫(及後的長春製片電影廠)時期所製作的政治宣傳電影、劇情片、紀錄片、及相關人物等,以真實與虛構交錯的敍事手法,通過錄像和現場表演的形式,探討影像語言的政治性、詮譯的主觀性,同時呈現這些媒介背後的權力操控、邊界角力及身份矛盾。 >> 更多

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