randian | 燃点

(English) What keeps these investigations compelling is the way apparently simple objects slip between categories, taking advantage of shifting relations between their meanings and physicality... >> 更多

(English) Thomas Ruff’s virtual darkroom might be seen as a type of Platonic cave too. For Ruff, a photograph – as opposed to a mere print, like a monotype – must exist twice. For instance, at least one negative and one print. There must be multiples. >> 更多

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上海外滩美术馆荣幸地展示在中国和西方艺术中，那些在平面艺术和书写实践之间所建立的珍贵而富于创造性的联通方式。 >> 更多

Luise Guest 探讨两位年轻女艺术家高蓉和董媛的作品及艺术实践。
 
 
 
 
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颜磊的《有限艺术项目》（Limited Art Project）或许是在第13届卡塞尔文献展上被误解得最多的作品了。人们对它的反应建立在对中国艺术——尤其是中国的绘画——的误解和偏见上，轻而易举地就认为它是西方陈词滥调的一再上演，是衍生的、重复的。 >> 更多

香格纳画廊（新加坡）在此荣幸地宣布，我们将于2013年3月16日为大家带来中国当代影像艺术家杨福东的个人展览《夜将》。 >> 更多

I have been a Paola Pivi fan since 2000, when I first saw "Senza Titolo (Untitled)" at one of the most beautiful museums in Italy, the Castello di Rivoli, on the outskirts of Turin. "Senza Titolo" is an unframed white painting — the one on show at the Rockbund Art Museum is called "Thank You Ocean" — made of thousands of artificial pearls. It is a concentration of power, mass and beauty... >> 更多