randian | 燃点

(English) Let’s enter together through the space we created but not for too long because I may be unable to handle it correctly. We both need to keep it fresh like a bright green cucumber picked after a heavy drizzle, or the image of a half-eaten super ripe peach. >> 更多

(English) The technology used by Wu may therefore be seen as an interstitial instrument in the spontaneous re-creation of an essential non-desiring spirit. This is, however, only a partial reading. >> 更多

经过中环一浪接一浪的闷热空气、一拨一拨被日常的劳碌放逐的白领洗刷，画廊内克鲁格（Barbara Kruger）的迎头一句“你上次笑是什么时候？” （“When was the last time you laughed?”）可谓来得及时 －－彩虹七色的画面上白色字句赫然。在堕进心灵鸡汤式的自我反思前，我急忙把眼光转移到艾敏（Tracey Emin）的《这是爱吗》 ...... >> 更多

2021年6月20日至9月7日，山中天艺术中心将呈现展览“做更好的人——新一代的工作方法 新工作、新身份、新方 […] >> 更多

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

对不起，此内容只适用于English。 >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

(English) Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> 更多

对不起，此内容只适用于English。 >> 更多