randian | 燃点

成立于1964年的卢贝尔家族收藏馆是世界上最大型的私人艺术收藏之一。燃点编辑爱安啊采访了卢贝尔家族收藏馆的创始人唐与梅拉·卢贝尔，畅谈他们的收藏以及下周即将开幕的“中华廿八人”展览。
 
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在今天的虚拟传播与图像爆炸时代可以说是一个纯粹形而上的问题。在更为深刻的意义上，也许书籍是一种社会形态的指示物，或者如皮埃尔·布尔迪厄（Pierre Bourdieu）所说，是“权力的表征”。 >> 更多

(English) SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> 更多

一位厌烦了“观念艺术”的观念艺术家？萧昱也许不是孤例，在他作品的尺寸和物质面前，那些意义会逐渐消退，萧昱的抱负不小，但不免令人费解——在当代艺术中“去除阐释”。观毕展览，竹影丛丛中，我们不禁会问：没有了阐释，观念艺术还剩下什么？ >> 更多

(English) Blain|Southern Berlin presents two major bodies of works from the last decade by conceptual artist Bernar Venet (b. 1941, France). >> 更多

来自比利时的 Axel Vervoordt Gallery 五年前在香港中环娱乐行开设其首个海外分 部，即将于港岛区南部充满生气艺术小区黄竹坑开设一个两层楼高的全新空间。 >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States. >> 更多

(English) Ben Brown Fine Arts is pleased to present our first solo exhibition with Julian Charrière, An Invitation to Disappear, at the Hong Kong gallery. >> 更多

(English) The current exhibition, Van Gogh / Bodhidharma, includes 39 works by Zhang Hongtu created between 2007 and 2014 that reimagine Van Gogh’s self-portraits as that of the Zen Bodhidharma. >> 更多

(English) Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> 更多