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EXHIBITIONS

北京, 2017.12.16 Sat

IGNACIO URIARTE
How to Define Space
White Space Beijing
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>> Show Beijing exhibitions

Shanghai, 2017.12.17 Sun

Alicja Kwade
ReReason
Yuz Museum
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>> Show Shanghai exhibitions

Hong Kong, 2017.12.16 Sat

SARA KRAMER and
VIBE OVERGAARD
“Maneuverable Strategies in X m2 “
Floating Projects, Hong Kong
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>> Show Hong Kong exhibitions

EDITOR'S BLOGS

Christopher Moore

Jake and Dinos’s Blow Up Job
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Editors' Blog

LU YANG
‘Hell’ in Berlin
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Christopher Moore

London Mayfair roundup
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Big Pictures
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Announcements

Gabriel Orozco at Galerie Chantal Crousel
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王之博,《作为一个画家,颜色总是问题
Wang Zhibo, “As a Painter, Color Always be a Question”, oil on canvas, 155 x 115 cm, 2017

Why Pan Yuliang?

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution.

Frank Lloyd, Gilbert Lloyd with Francis Bacon at the Metropolitan Museum of Art, New York, 1975. Copyright Marlborough Fine Art

China and Marlborough
Interview with Gilbert Lloyd

Marlborough Galleries, founded in London in 1946, was the first modern International gallery and the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd, about the gallery’s long history and its involvement with China and its artists. Marlborough will exhibit at ART021 Shanghai, 9-12 November at Booth E01.

Jonas-Burgert-at-Blain-Southern-Berlin-2017

Big Pictures

Very large paintings always have a strategic purpose beyond their artistic narrative. The artist wants to signal that they have “arrived” or that their career has reached a “turning point”. Because of the necessary resources, logistics, space and time involved, often these works are commissioned. The question inevitably poses itself: do we really need such scale, particularly in the digital age?

Tracey Emin signing books at White Cube
NEWS
Frank Lloyd, Gilbert Lloyd with Francis Bacon at the Metropolitan Museum of Art, New York, 1975. Copyright Marlborough Fine Art
INTERVIEWS
Ding Yi "Appearance of Crosses 2016-9", 2016, 
Titled, signed and dated '"Appearance of Crosses 2016-9" Ding Yi 2016' on centre verso.
Mixed media on basswood
94 1/2 x 94 1/2 in
240 x 240 cm (Copyright Ding Yi, Courtesy Timothy Taylor, London)
ARTIST PROFILES
Art Stage Jakarta (photo courtesy of Art Stage)
ART MARKET
于渺,《“这不是严肃的艺术史......”系列之“沉默的旅程”》,多媒体装置,尺寸可变,2017
Mia Yu, “This is Not Serious Art History…” Series - “A Journey to Silence”, mixed-media installation, variable dimensions, 2017
REVIEWS GAZE
Installation View 展览现场
REVIEWS GLANCE
Jackson Pollock demon
BLOGS
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ANNOUNCEMENTS