>>
SEARCH >>
EN
>>
<<

EXHIBITIONS

Beijing, 2021.06.20 Sun

Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation
>> Read more

>> Show Beijing exhibitions

上海, 2020.06.27 Sat
香港, 2020.01.10 Fri

MAI-THU PERRET
News From Nowhere
Simon Lee Gallery, Hong Kong
>> Read more

>> Show Hong Kong exhibitions

EDITOR'S BLOGS

Blog

Thinh Nguyen’s American Road
>> Read more

Blog

Double Moon
Going for a walk with Yuan Yuan and Wang Zhibo
in Berlin and Hangzhou
>> Read more

Blog

THE virus – SELBST (C0vid-20-Recovered)
>> Read more

Blog

Outdoors
A walk in the garden of two art collectors on La Palma
>> Read more

Blog

2018 Art Taipei
>> Read more

FOLLOW OUR WECHAT

our wechat
XU ZHEN®: ETERNITY VS EVOLUTION 
installation view featuring Eternity - Longxing Temple Buddha Statue Part Three, Tang Dynasty Buddha Statue, Longxing Temple Buddha Statue Part Five, Northern Qi Amitabha Statue, Vairochana, the Cosmic Buddha, Hebei Northern Qi Dynasty Standing Buddha Torso, Parthenon East Pediment, 2013-14

“Xu Zhen: Eternity Vs. Evolution” at the National Gallery of Australia, Canberra.

The responsibility for this realization remains, however, as always in Xu’s work, on our personal commitment to the questioning of our most cherished values and our readiness to admit that we are all complicit in the upholding of certain stereotypes.

Werner Büttner, On Thrownness and Entanglement (Von Geworfenheit und Verstrickung), 2017, 74,9" × 94,6" / 190 cm × 240 cm, oil / canvas (image courtesy the artist)

Werner Büttner and the Invention of BAD Painting

The eponymous artist Werner Büttner has been the intellectual figurehead of one of Germany´s most successful artists groups in the 80s. Together with Martin Kippenberger and Albert Oehlen he was shaking up postwar complacency (and complicity) in Germany at the end of Germany´s Wirtschaftwunder (economic wonder) and the cusp of the Cold War period between the USA and the USSR.

7

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house.

黄小鹏在香港中环(摄影:谭伟平) 
Huang Xiaopeng in Central Hong Kong (Photo: Tan Weiping).
NEWS
The author with Ashley Bickerton, Bali, 2020
INTERVIEWS
IMG_2321 600px
ARTIST PROFILES
Gordon Cheung advises younger artists to ensure that they establish contracts with galleries  © the artist
ART MARKET
罗苇:《#somebody#nobody#everybody》
REVIEWS GAZE
Installation view (third) floor) of Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ (image courtesy the artist and Galerie Quyhn)
REVIEWS GLANCE
148723469_2833248706933678_4105670990125524659_n
BLOGS
LEE Tek Khean (Malaysia), Teenager, Mist and Umbrella, woodcut on paper.
李迪權 (馬來西亞 ), 少年、煙霧與傘
ANNOUNCEMENTS