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EXHIBITIONS

北京, 2017.05.27 Sat

Inga Svala Thorsdottir & Wu Shanzhuan: CAUSE AND EXAMPLES PROJECTED FROM IT,Long March Space, Beijing
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>> Show Beijing exhibitions

上海, 2017.07.02 Sun

“Valérie Belin: Meta-­‐clichés”, Shanghai Center of Photography (SCôP)
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>> Show Shanghai exhibitions

香港, 2017.05.25 Thu

Film Screening, Edouard Malingue Gallery, Hong Kong
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EDITOR'S BLOGS

Blog

Art Basel Hong Kong 2017 opens
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Berlin hitlist
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The 3rd Shenzhen Independent Animation Biennale: “Time Based / Non-places”
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Photos

The Hunger, Art Basel Miami Beach (final Unfair report)
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Gallery Weekend Kuala Lumpur: Q&A with Shalini Ganendra
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“Brains in a Vat” and the “Failology” of Art-Dedicated to Hilary Putnam

The renowned American philosopher Hilary Putnam passed away last year. Even though he was a pioneering figure in new American Pragmatism, second to none in both the multi-disciplinary scope and abundance of his work, he was still, at the time of his death, best remembered for coming up with the question known as “brains in a vat”…

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Generous Lessons: Revisiting Felix Gonzalez-Torres

Why Felix Gonzalez-Torres, and why now? What are the nuanced relationships to identity and aesthetics we could distill from his oeuvre that might help us contribute to social change? I ask these questions in the spirit of the late Cuban-born American artist who believed deeply in art’s fateful purpose, that “it either furthers and helps the master narrative or it tries to disrupt it.”

Chim↑Pom,《绘制未来》,2016 (版权:Chim↑Pom;鸣谢:艺术家和东京MUJIN­TO Production;摄影:KENJI MORITA)/ Chim↑Pom, “Drawing Mirai”, 2016 (© Chim↑Pom; courtesy of the artist and MUJIN­TO Production, Tokyo; photo by KENJI MORITA)

Chim↑Pom: So see you again tomorrow, too?

The phrase “So see you again tomorrow, too?” is taken from the closing line of television host Kazuyoshi Morita’s variety show “It’s OK to Laugh!”, a long-running show that lasted 32 years. In the production of the final episode, even though it was clear that there would be no more chances to “see you again”, Morita still ended with “So see you again tomorrow, too?” As “the end” will surely come, Chim↑Pom asks the audience of “tomorrow” for the scrap and rebuild of the future.

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NEWS
香格纳M50空间 / ShanghART M50
INTERVIEWS
费利克斯·冈萨雷斯-托雷斯,《“无题”》(金),串珠和悬挂装置,尺寸可变,1995年。“费利克斯·冈萨雷斯-托雷斯”,展览现场。上海外滩美术馆。2016年9月30日–12月25日。策展人:拉瑞斯·弗洛乔,李棋。© 费利克斯·冈萨雷斯-托雷斯基金会。纽约安德烈娅·罗森画廊惠允 / Felix Gonzalez-Torres, "Untitled" (Golden), strands of beads and hanging device, dimensions vary with installation, 1995. Installation view: Felix Gonzalez-Torres. Rockbund Art Museum, Shanghai, China. 30 Sep. – 25 Dec. 2016. Curs. Larys Frogier and Li Qi. © The Felix Gonzalez-Torres Foundation. Courtesy of Andrea Rosen Gallery, New York
ARTIST PROFILES
Paul McCarthy, SC Western John Wayne, Pink, 2016 at gallery Xavier Hufkens
ART MARKET
Im Heung-soon, “Bukhansan/Bukhangang”, 2015-2016, HD, 2-channel video, 5.1 Ch sound, duration: 28:12 min, edition of 5 (image courtesy the artist and Esther Schipper)
REVIEWS GAZE
刘月,“格言”,香格纳北京,展览现场
Liu Yue, "Maxim", ShanghART Beijing, installation view
REVIEWS GLANCE
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Kimsooja at Encounters (Kukje Gallery)
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