randian | 燃点

On the 12th of January, 2019, MadeIn Gallery will launch “Robert Song” an exhibition by Ding Li, marking the first solo exhibition of the artist in the gallery. Fusing painting experiments of the past few years - from the exploration of the media and matter, to the gradual clarification of its language - this exhibition will feature a new series of works, mostly portraits, presenting a new visual language created from brushstrokes. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

"In the history of the 20th century, “nostalgia” has become a common treasure of mankind that transcends the ideological conflicts of the East and the West. >> Read more

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more

Infrastructural Territory: The Spatial Foundation of National Discourse, >> Read more

Galerie Gisela Capitain is pleased to announce its first exhibition with Peruvian artist Ximena Garrido-Lecca (* 1980 in Lima, Peru). >> Read more

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more

Ancient forms of punishment that involve bodily dismemberment were considered “inhumane” and thus abolished. In comparison, in the effort to challenge norms regulating common conceptions of humanity, many contemporary artworks often take up “dehumanizing” positions >> Read more

Banyan Commune is a unique phenomenon of community life and civil culture in southern China, a gathering place traditionally served as a community center for the neighborhood. >> Read more

MAHO KUBOTA GALLERY is proud to present a solo exhibition of works by the young Chinese painter, Leng Guangmin. >> Read more