randian | 燃点

(English) Sullivan+Strumpf is delighted to present an exhibition by Singapore-based Dawn Ng at its Sydney Gallery. >> 更多

(English) “It often strikes me” says Ng “that when someone says they miss something >> 更多

(English) On very rare occasions an artist has the pleasure of showing artworks in the perfect place for them. Early this year Yuan Yuan (b.1973) was invited to spend time at Palazzo Terzi, which has been in the same family for over 500 years. >> 更多

作为一名多媒体艺术家，施勇（1963年生于上海）的创作涉及行为艺术、装置、影像和雕刻，其不拘一格，风格迥异的作品背后往往体现了其对文化、经济，以及艺术界的深刻剖析。 >> 更多

(English) Cliches are always already on the canvas, >> 更多

卓纳画廊伦敦三层展厅呈现英国艺术家罗斯·怀利最新绘画和纸上作品。 >> 更多

(English) This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> 更多

貝浩登（香港）很榮幸為藝術家金泓錫舉辦首次香港個展，該展覽共計 1 1 件新近作品，切入式展現他近期的創作主題。 >> 更多

(English) A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> 更多

艺术并没有对应的摩天楼指数——该概念是指在经济危机开始之前人们往往会丧心病狂地建造破纪录的摩天大楼。艺术世界的顶端似乎对危机视而不见（幸好，还没投资建造高楼）。然而通货膨胀于艺术世界是可见的，这体现在失控的拍卖价格、私人美术馆与艺术存储设施的大肆扩张，以及填满了在建的巨大空洞的美术馆的艺术品本身之上。 >> 更多