randian | 燃点

Born in 1981. Education: 2005 – 2006, MA Fine Arts, Central Saint Martins College of Art and Design, London. Solo Exhibitions: We’d rather not talk about Ludwig, Das Leserad, Between Handle and Blade. >> Read more

Two recent Berlin shows provide competing though equally compelling responses to the production line of abstraction currently dominant, or at least voluble, in New York. >> Read more

On a recent visit to Marfa, I found myself musing on the relationship between Judd’s fervent vision for permanence and the natural environment that moves it.
 

 
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The usual summer lull affecting the art world didn’t apply this year in rural England. “We loved what we saw. And then this project fell in our lap,” Ivan Wirth told the FT about finding Durslade Farm. >> Read more

While the minimum and average quality of art displayed was noticeably higher than last year (better galleries, minimal kitsch) the art displayed was generally conservative—innovation was seldom seen... >> Read more

Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, the artist’s first solo exhibition in Asia, from December 17th, 2017 to April 1st, 2018. The exhibition features 24 works of art, including 5 monumental installations from the collection of Yuz Foundation. Kwade questions the seemingly immutable and unshakable realities in an innovative artistic language […] >> Read more

The 35th edition of Art Brussels took place from 21 – 23 April and presented 145 galleries from 28 different countries. This is the second time the fair is located at Tour & Taxis, a vast former customs warehouse in the northern part of Brussels that was built at the turn of the 20th century when Belgium was rich off the back of its colonial exploitation of central Africa. >> Read more

Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> Read more