randian | 燃点

The 3rd Ural Industrial Biennial of Contemporary Art will open on September 9 and close on November 10, 2015 in Ekaterinburg and 10 other cities of the Ural region. >> Read more

Galerie Michael Janssen is pleased to present Über Ende und Anfang, a solo exhibition of new paintings by Anders Kjellesvik. >> Read more

Curated by Anselm Franke (critic and curator based in Berlin), the Taipei Biennial 2012 with its title “Modern Monsters / Death and Life of Fiction” tackles the questions around modernity and the systematic violence that has been inseparable from its expansion and growth. >> Read more

There’s something about being held within the form, like the actual person, the life cast, is held within the fantasy of the form. It’s a piece that draws you in. You go around the back, you come to the front. —Paul McCarthy >> Read more

Dissecting the piece as a whole, I found no link between these images, which constituted an anything-goes pile-up of various symbols: Tantric Buddhism, Taoism, body politics, the larger narrative of human civilization, reincarnation, redemption, self-examination, revelation, purgatory, Hieronymus Bosch’s “Ship of Fools” and “The Seven Deadly Sins”. . . >> Read more

The Galerie Nathalie Obadia is delighted to present Jorge Queiroz’s fourth solo exhibition in its Paris premises. >> Read more

AIKE-DELLARCO is pleased to announce the exhibition “Hearing Colors, Tasting Shapes”, featuring works by Tang Dixin (China), Giuseppe Gabellone (Italy), Diego Perrone (Italy), Jurgen Ots (Belgium), Lee Kit (Hong Kong), and Neïl Beloufa (France). >> Read more

(中文) 香港白立方誠意呈獻謝爾蓋•延森的最新畫展。這次是延森在畫廊舉辦的第三個展覽，主題承接他在柏林Berlinische畫廊藝廊獲得Fred Thieler獎2013的主要個人展覽。是次展覽的畫作表現延森一貫的作風，採用各種不同物料，以及顛覆傳統、離經叛道顏料的使用方法而製成。畫作一般較小型，色調柔和，其中使用了各種不同的手法，包括層疊、炭化、染色去創作鮮明而簡約的構圖。 >> Read more

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”. >> Read more

THE TWENTY-EIGHT PERCENT by Sara Kramer At this year’s Art Brussels press conference, it was announced as a positive development that 28 % of the participating artists at this year’s fair were women. To be fair, it is in fact an improvement in comparison to last year where it was only 21 %. Despite the […] >> Read more