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北京艺门画廊(香港）: 黄致阳：Zoon - 密视, 个展 >> 更多

中国改革开放三十年产生了翻天覆地的变化。对很多当今的中国人来说，1978 年经济改革的曙光仿佛就在昨天，然而，在摄影师刘香成，这位普利策奖获得者的摄影图片中，我们看到那个时代的中国距离今日已如此遥远。 >> 更多

中国批量生产的能力和倾向完全超越了单纯的建筑与基础设施建设，甚至延伸到了美术馆。但正如景德镇批量生产仿清花瓶一样，这些批量生产的美术馆空间也极有可能沦为无数颠簸摇晃的空船。这类空间通常都特别大——但留不下什么印象... >> 更多

对不起，此内容只适用于English。 >> 更多

我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多

男人们蹦跳呼喊，穿着满是织花的衣服从旁进过，他们的身体分化成飞舞的颜色。安迪愣了片刻才意识到，这些男人通红肿胀的脸和黑色空洞的眼睛是木质的面具。 >> 更多

(English) Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> 更多

(English) I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> 更多

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多

(English) Three and A Half Performances…… >> 更多